“Deep rooted tradition meets ground breaking technique”, this is the motto of Noble Vines and the obvious title for this pairing with John Coltrane. This is the second time we’ve paired a wine from Noble Vines Winery, the first being our pairing with “The King of Limbs” by Radiohead. Let me just say that the 181 vine brought from Bordeaux and transplanted in California seems to be doing just as well as it’s sibling the 337 Cab Sav. This is one delicious bottle of wine. From the first hint of the nose just moving the glass in front of me, I could tell they have another winner here. The nose, the palate & the finish of this wine is top-notch Merlot and by all regards, a French Merlot at heart.
From the 181 Merlot to the 180 gram reissue of the masterpiece that is “A Love Supreme”, how can you say what needs to be said about this definitive album? Often listed amongst the most influential jazz albums of all time, this puppy sings of the universe and is life incarnate in the modern movement of what would be defined as the medium of jazz. As further testimony to the recording’s historic significance, the manuscript for the album is one of the National Museum of American History’s “Treasures of American History”, part of the collection of the Smithsonian Institution. Put it this way, if you are not familiar with the language of jazz, you would be doing very well to start here.
So for another “Winesday” / “Humpday” pairing, we leave you with a bit of the prayer John included in the liner notes of this grand gatefold.
May we never forget that in the sunshine of our lives, through the storm and after the rain – it is all with God – in all ways and forever.
ALL PRAISE TO GOD.
With love to all, I thank you, – John Coltrane
Epic on a grand scale. The music on the vinyl, the taste and palate of the wine as well as the story of how they both came to be. Generational depth on so many levels making this a pairing fruitful enough for the nobility of kings.
Noble Vines winery who’s slogan is “Not all Vines Are Created Equal” have brought selected vines from France and transplanted them in California. Quoting from their website “Over centuries, vintners have carefully singled out the most admired vines, naming each vine with a unique number to identify its exceptional attributes. Here in California, we’ve planted a selection of these vines exactly where they will flourish best: in select locations on the red soils and cobblestones of our family-owned vineyard in Lodi and on the gentle slopes of our cool-climate estate in Monterey.”
So the pairing for the night takes vine 337, the Cab Sav, and pairs it with one truly epic release from Radiohead. The King of Limbs is a vinyl that once I purchased it; it did not leave the turntable for weeks. Still to this day when I put it on, I end up listening to it four or five time in entirety before I’m ready to swap it out for anything else. What may appear simple on the surface has so much depth. Depth which is truly only noticeable if you take the time to listen for it. One can dig as deep as they like into the layers of this masterpiece wall of sound that is The King of Limbs. I highly recommend headphones or to play it REALLY LOUD.
In much the same fashion as the vines for the wine were transplanted from France and then the grapes grown in California, Radiohead took their previous recordings, the vinyl releases of course, placed them on a turntable DJ style and sampled their own music to create the layers of musical bliss that are on The King of Limbs. In no way is this a technique you’d expect from a band known for Progressive Art Rock but the end result is a beautiful example of how deconstructing and reinventing that which has already existed can yield some very interesting new fruit.
The 337 is an amazing wine and I would have to say a real success. I may still be learning about the exquisite complexities that are present in French wines but to my meager nose and palate, I would have to say that many of the same qualities are present in this grape grown in California as the French grown sibling. It’s elegantly smooth and robust. It’s so well-rounded and seductive that the experience of flavor lingers lightly and long enough to make you think you can truly taste the south of France in the grape. A-maz-ing.
Not only are there vines and limbs present with this pairing but there are some serious roots involved as well to make both of these selections. What was before is new again and I have to say, to my ears and taste, both are masterpieces that blend together seamlessly and sound as solid as the ground beneath our feet. I’ll certainly pick up another bottle of Noble Vines creations next time I come across them and I’m sure to keep branching ever deeper into the King of Limbs.
Until next time! Keep the limbs and vines growing my friends! 😉 Salud!
2009 le Clos du Caillou Vieilles Vignes – Cotes du Rhone
Red Rhone Wine from the French Rhone Valley and “Women and Children First” by Van Halen!
Rock and Roll Royalty meet a Royal Rhone Valley Wine. Yes Indeed! Celebrating the triumphant return of a band that the universe has been missing for many years! Welcome back Diamond Dave and welcome back Van Halen! “A Different Kind of Truth” will be getting a pairing from us as soon as the vinyl copies are delivered! 😉
“Women and Children First” This is the first Van Halen album to feature all original band compositions. The opening track, “And the Cradle Will Rock…”, begins with what sounds like a guitar, but is, in fact, a phase shifter-effected Wurlitzer electric piano played through Van Halen’s 1960’s model 100-watt Marshall Plexi amplifier.
In a Simple Rhyme we set sail for the Rhone Valley!
Cover photo: Norman Seeff
Grace for Drowning is the second studio solo album by Steven Wilson, producer, songwriter, and frontman of Porcupine Tree. It was released by Kscope Music Records on September 26, 2011. The album received a nomination in 54th Grammy Awards for Best Surround Sound Album.
“Grace for Drowning” on 180 gram vinyl certainly resides within my top 5 releases for 2011. It’s Progressive Rock, meets Jazz, meets electronica and it’s a sonically stellar album that you can truly get lost in. As for the first taste of the green fairy, well I found this to also have a truly stellar pallet for the senses. I think it’s a drink you either love or hate and not much room for anything in between. I really anticipated that I would only have one or two cocktails for the evening and then move on to something else but I actually enjoyed the absinthe throughout the evening.
- Lasse Hoile – photography, film director
- Bettina Ejlersen – photography assistant
- Carl Glover – art director